Sharp Sans Condensed
Rr Rr Rr Rr Rr Rr
Sir Charles Spencer Chaplin KBE (16 April 1889 – 25 December 1977) was an English comic actor, filmmaker, and composer who rose to fame in the era of silent film. He became a worldwide icon through his screen persona, the Tramp, and is considered one of the film industry's most important figures. His career spanned more than 75 years, from childhood in the Victorian era until a year before his death in 1977, and encompassed both adulation and controversy.
Chaplin's childhood in London was one of poverty and hardship. His father was absent and his mother struggled financially—he was sent to a workhouse twice before age nine. When he was 14, his mother was committed to a mental asylum. Chaplin began performing at an early age, touring music halls and later working as a stage actor and comedian. At 19, he was signed to the Fred Karno company, which took him to the United States. He was scouted for the film industry and began appearing in 1914 for Keystone Studios. He soon developed the Tramp persona and attracted a large fanbase. He directed his own films and continued to hone his craft as he moved to the Essanay, Mutual, and First National corporations. By 1918, he was one of the world's best-known figures.
In 1919, Chaplin co-founded the distribution company United Artists, which gave him complete control over his films. His first feature-length film was The Kid (1921), followed by A Woman of Paris (1923), The Gold Rush (1925), and The Circus (1928). He initially refused to move to sound films in the 1930s, instead producing City Lights (1931) and Modern Times (1936) without dialogue. His first sound film was The Great Dictator (1940), which satirised Adolf Hitler. The 1940s were marked with controversy for Chaplin, and his popularity declined rapidly. He was accused of communist sympathies, and some members of the press and public were scandalised by his involvement in a paternity suit and marriages to much younger women. An FBI investigation was opened, and Chaplin was forced to leave the U.S. and settle in Switzerland. He abandoned the Tramp in his later films, which include Monsieur Verdoux (1947), Limelight (1952), A King in New York (1957), and A Countess from Hong Kong (1967). Chaplin wrote, directed, produced, edited, starred in, and composed the music for most of his films. He was a perfectionist, and his financial independence enabled him to spend years on the development and production of a picture. His films are characterised by slapstick combined with pathos, typified in the Tramp's struggles against adversity. Many contain social and political themes, as well as autobiographical elements. He received an Honorary Academy Award for "the incalculable effect he has had in making motion pictures the art form of this century" in 1972, as part of a renewed appreciation for his work. He continues to be held in high regard, with The Gold Rush, City Lights, Modern Times, and The Great Dictator often ranked on lists of the greatest films.
An American actress whose career as a Hollywood leading lady spanned six decades. She was known for her headstrong independence, spirited personality, and outspokenness, cultivating a screen persona that matched this public image, and regularly playing strong-willed, sophisticated women. She worked in a varied range of genres, from screwball comedy to literary drama, which earned her various accolades, including four Academy Awards for Best Actress—a record for any performer.
Raised in Connecticut by wealthy, progressive parents, Hepburn began to act while at Bryn Mawr College. Favorable reviews of her work on Broadway brought her to the attention of Hollywood. Her early years in film brought her international fame, including an Academy Award for Best Actress for her third film, Morning Glory (1933), but this was followed by a series of commercial failures culminating in the critically lauded box office failure Bringing Up Baby (1938). Hepburn masterminded her comeback, buying out her contract with RKO Radio Pictures and acquiring the film rights to The Philadelphia Story, which she sold on the condition that she be the star. That comedy film was a box office success and landed her a third Academy Award nomination. In the 1940s, she was contracted to Metro-Goldwyn-Mayer, where her career focused on an alliance with Spencer Tracy. The screen partnership spanned 26 years and produced nine films.
Katharine Houghton Hepburn (May 12, 1907 – June 29, 2003) was an American actress whose career as a Hollywood leading lady spanned six decades. She was known for her headstrong independence, spirited personality, and outspokenness, cultivating a screen persona that matched this public image, and regularly playing strong-willed, sophisticated women. She worked in a varied range of genres, from screwball comedy to literary drama, which earned her various accolades, including four Academy Awards for Best Actress—a record for any performer. Raised in Connecticut by wealthy, progressive parents, Hepburn began to act while at Bryn Mawr College. Favorable reviews of her work on Broadway brought her to the attention of Hollywood. Her early years in film brought her international fame, including an Academy Award for Best Actress for her third film, Morning Glory (1933), but this was followed by a series of commercial failures culminating in the critically lauded box office failure Bringing Up Baby (1938). Hepburn masterminded her comeback, buying out her contract with RKO Radio Pictures and acquiring the film rights to The Philadelphia Story, which she sold on the condition that she be the star. That comedy film was a box office success and landed her a third Academy Award nomination. In the 1940s, she was contracted to Metro-Goldwyn-Mayer, where her career focused on an alliance with Spencer Tracy. The screen partnership spanned 26 years and produced nine films. Hepburn challenged herself in the latter half of her life as she tackled Shakespearean stage productions and a range of literary roles. She found a niche playing mature, independent, and sometimes unmarried women such as in The African Queen (1951), a persona the public embraced. Hepburn received three more Academy Awards for her performances in Guess Who's Coming to Dinner (1967), The Lion in Winter (1968), and On Golden Pond (1981). In the 1970s, she began appearing in television films, which later became her focus. She made her final screen appearance at the age of 87. After a period of inactivity and ill health, Hepburn died in 2003 at the age of 96.
Sans
Sans
Gable won the Academy Award for Best Actor for his role in the romantic comedy, It Happened One Night (1934). He was further Oscar-nominated for his roles as Fletcher Christian in the drama Mutiny on the Bounty (1935), and Rhett Butler in the historical romance drama Gone with the Wind (1939). He received Golden Globe Award nominations for his comedic roles in Teacher's Pet (1958).
William Clark Gable was born on February 1, 1901, in Cadiz, Ohio, to William Henry "Will" Gable (1870–1948), an oil-well driller, and his wife Adeline (née Hershelman). His father was a Protestant and his mother a Catholic. Gable was named Bill after his father, but he was almost always called Clark, and referred to as "the kid" by his father. Gable was six months old when he was baptized at a Roman Catholic church in Dennison, Ohio. When he was ten months old, his mother died. His father refused to raise him in the Catholic faith, which provoked criticism from the Hershelman family. Gable and his father were active in the Methodist church where his father was a Sunday School teacher.[7] The dispute was resolved when his father agreed to allow him to spend time with his maternal uncle Charles Hershelman and his wife on their farm in Vernon Township, Pennsylvania. In April 1903, Gable's father married Jennie Dunlap (1874–1920).
Gable was inspired to become an actor after seeing the play The Bird of Paradise at age 17, but he was unable to make a start in acting until he turned 21 and received his $300 inheritance (equivalent to $5,461 in 2023) from a Hershelman trust. After his stepmother died in 1920, his father moved to Tulsa, Oklahoma, going back into the oil business. He worked with his father for some time wildcatting and sludge removing in the oil fields of Oklahoma before traveling to the Pacific Northwest. Gable toured in second-class stock companies, finding work with traveling tent shows, lumber mills, and other odd jobs. He made his way across the Midwest to Portland, Oregon, where he worked as a necktie salesman in the Meier & Frank department store. Also working there was local stage actor Earle Larimore, (the nephew of Laura Hope Crews who portrayed Aunt Pittypat alongside Gable in Gone with the Wind) who encouraged Gable to return to acting. Though Larimore didn't invite him to join his theater group The Red Lantern Players, he did introduce Gable to one of its members, Franz Dorfler, and they started dating. After the couple's audition for The Astoria Players, Gable's lack of training was evident, but the theater group accepted him after cajoling from Larimore. Gable and Dorfler moved to Astoria, Oregon, touring with the group until its bankruptcy, and then moved back to Portland where Gable obtained a day job with Pacific Telephone and started
In 1915, Robeson won an academic scholarship to Rutgers College in New Brunswick, New Jersey, where he was the only African-American student. While at Rutgers, he was twice named a consensus All-American in football and was elected class valedictorian. He earned his LL.B. from Columbia Law School, while playing in the National Football League (NFL). After graduation, he became a figure in the Harlem Renaissance, with performances in Eugene O'Neill's The Emperor Jones and All God's Chillun Got Wings. Robeson performed in Britain in a touring melodrama, Voodoo, in 1922, and in Emperor Jones in 1925. In 1928, he scored a major success in the London premiere of Show Boat. Living in London for several years with his wife Eslanda, Robeson continued to establish himself as a concert artist and starred in a London production of Othello, the first of three productions of the play over the course of his career. He also gained attention in Sanders of the River (1935) and in the film production of Show Boat (1936). Robeson's political activities began with his involvement with unemployed workers and anti-imperialist students in Britain, and it continued with his support for the Republican cause during the Spanish Civil War and his involvement in the Council on African Affairs (CAA).
After graduation, he became a figure in the Harlem Renaissance, with performances in Eugene O'Neill's The Emperor Jones and All God's Chillun Got Wings. Robeson performed in Britain in a touring melodrama, Voodoo, in 1922, and in Emperor Jones in 1925. In 1928, he scored a major success in the London premiere of Show Boat. Living in London for several years with his wife Eslanda, Robeson continued to establish himself as a concert artist and starred in a London production of Othello, the first of three productions of the play over the course of his career. He also gained attention in Sanders of the River (1935) and in the film production of Show Boat (1936). Robeson's political activities began with his involvement with unemployed workers and anti-imperialist students in Britain, and it continued with his support for the Republican cause during the Spanish Civil War and his involvement in the Council on African Affairs (CAA).
He was summoned for a Royal Command Performance at Buckingham Palace and Robeson was befriended by Members of Parliament (MPs) from the House of Commons. Show Boat continued for 350 performances and, as of 2001, it remained the Royal's most profitable venture. The Robesons bought a home in Hampstead. He reflected on his life in his diary and wrote that it was all part of a "higher plan" and "God watches over me and guides me. He's with me and lets me fight my own battles and hopes I'll win." However, an incident at the Savoy Grill, in which he was refused seating, sparked him to issue a press release describing the insult which subsequently became a matter of public debate. Essie had learned early in their marriage that Robeson had been involved in extramarital affairs, but she tolerated them. However, when she discovered that he was having another affair, she unfavorably altered the characterization of him in his biography, and defamed him by describing him with "negative racial stereotypes". Despite her uncovering of this tryst, there was no public evidence that their relationship had soured.[113] The couple appeared in the experimental Swiss film Borderline (1930). He then returned to the Savoy Theatre, in London's West End to play Othello, opposite Peggy Ashcroft as Desdemona. He cited the lack of a "racial problem" in London as significant in his decision to move to London. Robeson was the first black actor to play Othello in Britain since Ira Aldridge. The production received mixed reviews which noted Robeson's "highly civilized quality [but lacking the] grand style." Robeson stated the best way to diminish the oppression African Americans faced was for his artistic work to be an example of what "men of my colour" could accomplish rather than to "be a propagandist and make speeches and write articles about what they call the Colour Question."
In 1974, McQueen became the highest-paid movie star in the world, although he did not act in film for another four years. He was combative with directors and producers, but his popularity placed him in high demand and enabled him to command the largest salaries. I paid my dues with the other fellows quite a few times. I got my lumps, no doubt about it. The other guys in the bungalow had ways of paying you back for interfering with their well-being.
Terrence Stephen McQueen was born to a single mother on March 24, 1930, at St. Francis Hospital in Beech Grove, Indiana, a suburb of Indianapolis. McQueen, of Scottish descent, was raised a Roman Catholic. His parents never married. McQueen's father, William McQueen, a stunt pilot for a barnstorming flying circus, left his mother, Julia Ann (or Julianne) Crawford, six months after meeting her. Several biographers have stated that Julia Ann was an alcoholic. Unable to cope with caring for a small child, she left the boy with her parents (Victor and Lillian) in Slater, Missouri, in 1933. As the Great Depression worsened, McQueen and his grandparents moved in with Lillian's brother Claude and his family at their farm in Slater. McQueen later said that he had good memories of living on the farm, noting that his great-uncle Claude "was a very good man, very strong, very fair; I learned a lot from him".
Claude gave McQueen a red tricycle on his fourth birthday, a gift that McQueen subsequently credited with sparking his early interest in car racing. McQueen's mother married, and when the boy was eight, she brought him from the farm to live with her and her new husband in Indianapolis. His great-uncle Claude gave McQueen a special gift at his departure. "The day I left the farm," he recalled, "Uncle Claude gave me a personal going-away present—a gold pocket watch, with an inscription inside the case." The inscription read: "To Steve – who has been a son to me." Dyslexic and partially deaf due to a childhood ear infection, McQueen did not adjust well to school or his new life. His stepfather beat him to such an extent that at the age of nine, he left home to live on the streets. He later recalled, "When a kid doesn't have any love when he's small, he begins to wonder if he's good enough. My mother didn't love me, and I didn't have a father. I thought, 'Well, I must not be very good.'" Soon, he was running with a street gang and committing acts of petty crime. Unable to control his behavior, his mother sent him back to her grandparents and great-uncle in Slater. When McQueen was 12, Julia wrote to her uncle Claude, asking that her son be returned to her again to live in Los Angeles, California, where she lived with her second husband. By McQueen's own account, he and his new stepfather "locked horns immediately". McQueen recalls him being "a prime son of a bitch" who was not averse to using his fists on McQueen and his mother. As McQueen began to rebel again, he was sent back to live with Claude for a final time. At age 14, he left Claude's farm without saying goodbye and joined a circus for a short time. He drifted back to his mother and stepfather in Los Angeles—resuming his life as a gang member and petty criminal. McQueen was caught stealing hubcaps by the police and handed over to his stepfather, who beat him severely. He threw the youth down a flight of stairs. McQueen looked up at his stepfather and said, "You lay your stinking hands on me again and I swear, I'll kill you."
Chico, Harpo, Groucho,
Gummo, and Zeppo.
The core of the act was the three elder brothers: Chico, Harpo, and Groucho, each of whom developed a highly distinctive stage persona. After the group essentially disbanded in 1950, Groucho went on to a successful second career in television, while Harpo and Chico appeared less prominently. The two younger brothers, Gummo and Zeppo, never developed their stage characters to the same extent as the elder three. Both left the act to pursue business careers at which they were successful, and for a time ran a large theatrical agency through which they represented their brothers and others. Gummo was not in any of the movies; Zeppo appeared in the first five films in relatively straight (non-comedic) roles.
Family lore told privately of the firstborn son, Manny, born in 1886 but surviving for only three months, and dying of tuberculosis. Some members of the Marx family wondered whether he was real, but Manfred's death certificate from the Borough of Manhattan reveals that he died, aged seven months, on July 17, 1886, of enterocolitis, with "asthenia" contributing, i.e., probably a victim of influenza. He is buried in Washington Cemetery (Brooklyn, NY), beside his grandmother, Fanny Sophie Schönberg (née Salomons), who died on April 10, 1901. During the early 20th century, Minnie helped her younger brother Abraham Elieser Adolf Schönberg (stage name Al Shean) to enter show business; he became highly successful in vaudeville and on Broadway as half of the musical comedy double act Gallagher and Shean, and this gave the brothers an entrée to musical comedy, vaudeville and Broadway at Minnie's instigation. Minnie also acted as the brothers' manager, using the name Minnie Palmer so that agents did not realize that she was also their mother. All the brothers confirmed that Minnie Marx had been the head of the family and the driving force in getting the troupe launched, the only person who could keep them in order; she was said to be a hard bargainer with theatre management.
One evening in 1912, a performance at the Opera House in Nacogdoches, Texas, was interrupted by shouts from outside about a runaway mule. The audience hurried out to see what was happening. Groucho was angered by the interruption and, when the audience returned, he made snide comments at their expense, including "Nacogdoches is full of roaches" and "the jackass is the flower of Tex-ass". Instead of becoming angry, the audience laughed. The family then realized that it had potential as a comic troupe. (However, in his autobiography Harpo Speaks, Harpo Marx stated that the runaway mule incident occurred in Ada, Oklahoma. A 1930 article in the San Antonio Express newspaper stated that the incident took place in Marshall, Texas.) The act slowly evolved from singing with comedy to comedy with music. The brothers' sketch "Fun in Hi Skule" featured Groucho as a German-accented teacher presiding over a classroom that included students Harpo, Gummo, and Chico. The last version of the school act was titled Home Again and was written by their uncle Al Shean. The Home Again tour reached Flint, Michigan, in 1915, where 14-year-old Zeppo joined his four brothers for what is believed to be the only time that all five Marx Brothers appeared together on stage. Gummo then left to serve in World War I, reasoning that "anything is better than being an actor!" Zeppo replaced him in their final vaudeville years and in the jump to Broadway, and then to Paramount films.
Born to Jewish-Ukrainian parents in Chile, Jodorowsky experienced an unhappy and alienated childhood, and so immersed himself in reading and writing poetry. Dropping out of college, he became involved in theater and in particular mime, working as a clown before founding his own theater troupe, the Teatro Mimico, in 1947. Moving to Paris in the early 1950s, Jodorowsky studied traditional mime under Étienne Decroux, and put his miming skills to use in the silent film Les têtes interverties (1957), directed with Saul Gilbert and Ruth Michelly. From 1960 onwards he divided his time between Mexico City and Paris, where he co-founded Panic Movement, a surrealist performance art collective that staged violent and shocking theatrical events. In 1966 he created his first comic strip, Anibal 5, and in 1967 he directed his first feature film, the surrealist Fando y Lis, which caused a huge scandal in Mexico, eventually being banned.
Moving to Paris in the early 1950s, Jodorowsky studied traditional mime under Étienne Decroux, and put his miming skills to use in the silent film Les têtes interverties (1957), directed with Saul Gilbert and Ruth Michelly. From 1960 onwards he divided his time between Mexico City and Paris, where he co-founded Panic Movement, a surrealist performance art collective that staged violent and shocking theatrical events. In 1966 he created his first comic strip, Anibal 5, and in 1967 he directed his first feature film, the surrealist Fando y Lis, which caused a huge scandal in Mexico, eventually being banned.
His next film, the acid western El Topo (1970), became a hit on the midnight movie circuit in the United States, considered the first-ever midnight cult film, and garnered high praise from John Lennon, who convinced former Beatles manager Allen Klein to provide Jodorowsky with $1 million to finance his next film. The result was The Holy Mountain (1973), a surrealist exploration of western esotericism. Disagreements with Klein, however, led to both The Holy Mountain and El Topo failing to gain widespread distribution, although both became classics on the underground film circuit. After a cancelled attempt at filming Frank Herbert's 1965 science fiction novel Dune, Jodorowsky produced five more films: the family film Tusk (1980); the surrealist horror Santa Sangre (1989); the failed blockbuster The Rainbow Thief (1990); and the first two films in a planned five-film autobiographical series The Dance of Reality (2013) and Endless Poetry (2016) Jodorowsky is also a comic book writer, most notably penning the science fiction series The Incal throughout the 1980s, which has been described as having a claim to be "the best comic book" ever written. Other comic books he has written include The Technopriests and Metabarons. Jodorowsky has also extensively written and lectured about his own spiritual system, which he calls "psychomagic" and "psychoshamanism", which borrows from alchemy, the tarot, Zen Buddhism and shamanism. His son Cristóbal has followed his teachings on psychoshamanism; this work is captured in the feature documentary Quantum Men, directed by Carlos Serrano Azcona.
While Sharp Sans Display No.1 ends its round monolines with diagonally sheared terminals, Sharp Sans Display No.2 shears those terminals on a 90° angle. This small distinction allowed us to create two unique but interconnected font families. Designed for ultimate utility, Sharp Sans is our use-it-for-everything font. The last addition to the collection is Sharp Slab, the Egyptian-slab serif companion to Sharp Sans.
Geometric
QUICKSILVER
Distinctive
1234567890
Geometric
QUICKSILVER
Distinctive
1234567890